Music is by FOURTH DIMENSION, BLUETECH, ESKOSTATIC, BETWEEN INTERVAL, SCOTT LAWLOR, and ALPHA WAVE MOVEMENT.īack in the late 18th and early 19th century, a German doctor named FRANZ MESMER had a far out theory about energy transference between animate and inanimate objects. On this transmission of Hearts of Space, a journey in the infinite tone-worlds of electronic space, on a program called ELECTRONIC DIMENSIONS. Today electronic music extends from mainstream dance music to experimental noise, with literally thousands of sub-genres, and an unlimited palette of sounds and creative possibilities.
Electronic music expanded exponentially in the 1960s and 70s with the arrival of practical electronic synthesizers, fueling an era of explosive creativity. By the 1920s and 30s we had compact, playable electronic instruments like the Russian Theremin, the French Ondes Martenot, and the German Trautonium.ĭevelopment of recording technology led to experimentation with record players and tape recorders to manipulate sound and create new kinds of music. The earliest devices for creating electronic music actually date from the end of the 19th century. Electronic engineering emerged out of the telephone, radio, film and television industries, and military communication and weapon systems during World War II.
The transition from 'electric' to 'electronic' was one of the great technical achievements of the 20th century. Hans Zimmer's academy award-winning score for DUNE.on this transmission.of Hearts of Space. Synthesizers, solo vocals and chorus, world-winds and percussion, newly invented instruments, and influences from North Africa and the Middle East, create a powerful organic-electronic world described by Zimmer as "retro-futuristic." On this transmission of Hearts of Space, we devote the entire program to HANS ZIMMER's magnificent score. It was prescient in its visions of future politics, religion, ecology, technology, and the power of women in society.Īfter two unsuccessful attempts to film the novel by directors ALLEJANDRO JODOROWSKY and DAVID LYNCH, and a Sci-Fi Channel mini-series, in 2017 a new film version was commissioned by Canadian director DENIS VILLENEUVE with music by HANS ZIMMER, which went on to win six Oscars. Of all the great science fiction of the 20th century, FRANK HERBERT's 1965 novel "DUNE" has been perhaps the most enduring and successful, giving rise to five sequels by Herbert, nine additional novels, and a committed world-wide audience. Music is by NILS FRAHM, MAX RICHTER, ANGUS MACRAE, DUSTIN O'HALLORAN, DMITRI STÖKL, KAI SCHUMACHER, STEN ERLAND HERMUNDSTAD, and BRUNO SANFILIPPO. On this transmission of HEARTS of SPACE, a program of recent discoveries called THE TRANSCENDENT PIANO. Today in Europe, a new generation of classically trained, technically creative and musically talented Ambient musicians are exploring minimalist trance patterns, combining the piano with traditional chamber instruments, extending it with electronics, and transporting the instrument into new dimensions of contemplative sound experience. When played with sensitivity and imagination, the acoustic piano alone is capable of taking us into rarified spaces.
The guitar may be the world's most popular instrument, but for range, versatility and personal expression, the piano takes the prize. In the history of the national Hearts of Space program, we've done more than 50 shows focused on the piano. With its bell-like high notes, rich bass tones, subtle touch dynamics, and endless chordal, melodic and rhythmic possibilities-the piano is indispensable for many genres of contemporary music.
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